Bryan Ferry – " Kiss and Tell" (from Bright Lights, Big City).The Bangles – " Hazy Shade of Winter" (from Less Than Zero).Aretha Franklin – " Jumpin' Jack Flash" (from Jumpin' Jack Flash).
Rodney Dangerfield – " Twist and Shout" (from Back to School). Eric Clapton – " It's in the Way That You Use It" (from The Color of Money). In a similar vein, Singles and Batman Forever are the two most nominated films of this category, as they each had two videos off of their soundtracks receive nominations on their respective years. U2 members Adam Clayton and Larry Mullen, Jr., however, are technically the most nominated artists of this category, for along with their three nominations with U2, they also received a nomination for their video for the Mission: Impossible theme. No artist has ever won this award more than once, though Madonna, Will Smith, and U2 are all winners who have been nominated a record three times for this award. As time went on, though, music videos taken from movie soundtracks became more rare, and so the last of this award was given out in 2003. The MTV Video Music Award for Best Video from a Film was first awarded in 1987, recognizing the best videos whose songs were a part of a movie soundtrack or featured in a film. JSTOR ( December 2009) ( Learn how and when to remove this template message). Unsourced material may be challenged and removed.įind sources: "MTV Video Music Award for Best Video from a Film" – news Please help improve this article by adding citations to reliable sources. The rest of it is a non-stop barrage of stereotypes being played for laughs: rich Sindhi men and their love for living life large, grooms obsessed with their eight-and-a-half packs, limp-wrists and fat waists.This article does not cite any sources. She has a couple of strong scenes, and wears her weight well. The only one who leaves an impression in this crowded-yet-slack film is Sanah Kapur, the real-life half-sister of Shahid, who plays a bride being used as part of a ‘deal’ between two business families. Shahid and Alia look good together, but there’s not very much else they manage between the two of them. It doesn’t help that he gets into a similar loop with the scenes he has with his real-life `papaji’, and there are several. He can be such a natural charmer, but here the charm offensive is not allowed to stop, and finally just overtakes him. Shahid suffers from a badly-written character. And using her own name so soon in? There’s a problem right there. But here, she’s been made to play so determinedly cute that she sinks into a set of mumbled mannerisms. Underneath it all, she knows she is real, and she can’t help letting us in on her. Costumery and puffery may work with other actors, but it is wrong for Alia. Sequences meant to showcase actual planes, and flights of fancy, but looping no loops. Songs dressed up and going nowhere, saying nothing. But so much else is so relentlessly piled on– a big fat wedding, no, make that a Big Fat Sindhi Wedding, a grand mansion somewhere in the UK, the standard jibes-at-gay-people, fat girl shaming, sorry stabs at whimsy– that very soon into the film, you are left groaning under the double assault of bling and blather. 
There’s enough in this premise for it to have turned into a delightful concoction, given that Vikas Bahl’s last was ‘Queen’.
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